Tickets can be purchased at Kodály Centre (Pécs, Breuer Marcell sétány 4., +36 72 500 300), at office of Ticket Express, at the venue before the concert and online on www.jegymester.hu .
Concessions:
We offer 10% concession to students, pensioners.
Season ticket holders of Filharmonia Hungary can obtain tickets nationwide at 20% discount for our concerts for adult audience! Please note that only one discount ticket can be purchased per season ticket per concert.
Please note, that we reserve the right to alter the program, the time, the location, the performers, and accordingly the price of the ticket may also vary.
Category I: 30 900 HUF
Instalment I: 12 900 HUF
Instalment II: 9 000 HUF
Instalment III: 9 000 HUF
Category II: 24 400 HUF
Instalment I: 10 400 HUF
Instalment II: 7 000 HUF
Instalment III: 7 000 HUF
Category III: 17 400 HUF
Instalment I: 7 400 HUF
Instalment II: 5 000 HUF
Instalment III: 5 000 HUF
Instalment deadlines:
Instalment I: payable upon purchase of the season ticket
Instalment II: by 12 December 2026
Instalment III: by 15 January 2027
Seat renewal for existing subscribers is available until 22 June 2026.
New season tickets may be purchased until 20 September 2026, prior to the first concert.
Renew your seat-specific subscription by 22 June 2026, or purchase a new subscription by 20 September 2026, valid until the first concert.
Individual tickets will be available starting 20 August 2026.
Subscriptions can be purchased at the Kodály Centre (Breuer Marcell Promenade 4, Pécs; +36 72 500 300), at Ticket Express offices, as well as online at www.jegymester.hu.
We reserve the right to change the programmes, dates, venues, and performances, and ticket prices may change accordingly.
Gábor Takács-Nagy’s Haydn–Mozart series, which has been running with great success for years, now incorporates works by less frequently played composers. Each piece being an odd-man-out in its own right, they are still attached to each other on many counts, primarily because of the dominating D tonality and because of the outstanding role of soloists. The strongest link between the composers is that all four of them were excellent instrumentalists. They wrote a number of their works for themselves, perfectly mastering, and pushing to the limits the attributes of their respective instruments. They should also be appreciated for their several technical innovations. After Mozart’s nimble divertimento comes the most successful composition by the Polish violin virtuoso Wieniawski. Following the intermission, Spohr’s double concerto-like, single-movement piece is followed by a scintillating Haydn symphony. All this is on offer with the orchestra led by a conductor specializing in Haydn and Mozart.
Mozart: Divertimento in D major, K. 205
Wieniawski: Violin Concerto No. 2 in D minor
Spohr: Concertante for Violin, Cello, and Orchestra in C major
Haydn: Symphony No. 75 in D major